All Equipment

400′ Arriflex 16SR 3 Mags

Arriflex Bridge Plate

MISC Wooden Camera AKS for Arriflex

Run-Stop Hand Grip for Arriflex

Mag Covers

Arriflex 15mm Rods – 8″

Arriflex 15mm Rods – 6″

Pelican 1560 Case

Bolex H16 EBM Electric S16

Vario-Swiftar Compact 17-85mm T3.5 H16RX Lens

Bolex Battery Pistol Grip

Bolex EBM/ESM Batteries

Smart Charger for Ni-MH/Ni-Cd Battery

Bolex Filter Case

Bolex Filter Tray Replacements

Neck Strap

Sony FX6 Full-Frame Cinema Camera 

Handle Unit

3.5″ LCD Monitor

Grip Remote Control

AC Adapter and Power Cord

USB Type-C Cable

Tilta Quick Release Baseplate (FX6)

Tilta Multi-Function Top Plate

Gold Mount Battery Plate (FX6)

10″ Dovetail Plate (Tilta Style)

2 x Sony TOUGH CFexpress Type A Cards (160GB)

CFexpress Type A / SD Card Reader

USB-C to USB-C Cable

2 x Core SWX Hypercore NEO 150 Mini 147Wh

Core SWX Pro-X 2-Channel Gold Mount Charger

2× Sony BP-U70 Batteries (if need it )

Watson Dual LCD Charger (BP-U Series)

AC Power Cables (IEC-C7 / 2-Prong)

Full-Frame CMOS Sensor

Actual Sensor Resolution: 12.9 Megapixel

Effective Sensor Resolution: 10.2 Megapixel

Dynamic Range 15 Stops

Electronic Rolling Shutter, 1/8000 to 1 Second

Gamma Curve: HDR-HLG, Rec709, S Cinetone, Sony S-Log 3, Standard

2 to 7 Stop Electronic ND Filter

2.0lbs (Body Only)

Arri Alexa Mini Camera Body

Wooden Camera Cage for Alexa Mini

Arri Alexa Mini PL Mount LDS LB Titan CPL

Sandisk 8GB USB SD Stick

Arri Alexa Mini Electronic Viewfinder

2 x Arri Alexa Mini EVF Cable

Arri Alexa Mini Viewfinder Attachment Bracket MVB-1

2 x Arri Alexa Mini Baseplate MAP-2 KPL

2 x Arri Alexa Mini Side Bracket MSB-1

Arri Alexa Mini Bridge Plate Adapter BPA-4

Arri Alexa Mini Center Camera Handle CCH-2

Arri Alexa Mini Antenna

Wooden Camera D-Box for Alexa Mini w/ Mini XLR to 4-pin XLR Cable

Wooden A-Box

Arri Alexa Mini Shoulder Pad CSP-1

Arriflex 19mm Bridge Plate BP-8

Set of 19mm Rods

Set of 15mm Rods

Camera Dovetail Plate 12″

(3) 256GB CFAST Cards

USB 3.0 CFast Card Reader

(4) Core SWX HyperCore 150 Gold Mount Battery

Core SWX Fleet Micro Charger (Gold Mount)r w/ AC Cable

14+ stops of exposure latitude (EI 160–3200)

800 ISO base sensitivity, adjustable from EI 160–3200 in 1/3 stops

In-camera recording to CFast 2.0 cards — MXF/ARRIRAW, Apple ProRes 4444 XQ, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT

No built-in ND filters (external NDs required)

Super 35 format ARRI ALEV III CMOS Sensor, max resolution 3424 x 2202 (Open Gate 3.4K)

Frame rates: 0.75–200 fps (format dependent); Electronic shutter 5.0°–356°

5 lbs/ 2.3 kg (camera body with titanium PL lens mount)

Now replaced by the ALEXA 35 Xtreme. Available as a fully featured Premium model or a lower-priced Base model. The Base model’s core features can be upgraded via temporary or permanent licenses. Costs are reduced with the Codex Compact Drive Express for ProRes recording.

1 ALEXA 35 Camera Body

1 ALEXA 35 Cine License

1 ARRI LPL Mount (LBUS)

1 ARRI PL-to-LPL Adapter

1 Balance Utility Dovetail BUD-1

1 Multi Viewfinder MVF-2

2 Cable VF Right Angle (0.5m/1.5ft)

1 Camera Power Cable Straight 2m/6.6in KC-50

1 Power Distribution Module PDM-1

1 Production Support Set – Top

1 Production Support Set – Side

1 Production Support Set – Bottom (19mm)

1 B-Mount Battery Adapter

2 Codex Compact Drive 1 TB

1 Codex Compact Drive Reader (USB-C)

6 Core SWX Helix Max B-Mount 6 Battery Kit

1x Core Mach4 B-Mount Quad Charger 

1 Arri 24V 10ft. 3-Pin Power Cable

1 Arri 221W/24v Power Supply

2 Power Cables

17 Stops of exposure latitude

800 ISO base sensitivity

In-camera recording to Codex Compact Industrial SSD / ARRIRAW

Built in FSND 0.6, 1.2, 1.8 Filters

4.6K Super35 ARRI ALEV 4 CMOS Sensor

Complete Look functions; import Looks

6.4 lb / 2.9 kg (camera body with three antennas and LPL Mount LBUS)

Designed with movie magic in mind, the FE 70-200mm f/2.8 GM OSS features the latest lens technology to reduce focus breathing, focus shift when zooming, and axis shift — with XD Linear Motors and a new aperture drive unit contributing to quiet operation. A constant f/2.8 aperture delivers beautiful subject isolation and consistent low-light performance throughout the telephoto range, while built-in Optical SteadyShot stabilization ensures sharp handheld results. An ideal companion to the Sony FE 24-70mm for a complete, fast two-zoom system.

The Sony FE 24-70mm f/2.8 GM features a Direct Drive SSM focusing system that is super smooth and quiet, making it an ideal choice for shooting both stills and movies. A constant f/2.8 aperture across the full zoom range maintains consistent exposure and depth of field from wide environmental shots to flattering short-telephoto portraits. An 11-blade circular aperture gives beautiful background defocus, and the weather-sealed, dust-resistant build handles demanding production environments. A versatile, high-performance workhorse zoom for Sony E-mount cameras.

The Canon 8-64mm T2.4 is not only sharp, it has one of the most useful zoom ranges of any lens and an amazing close-focus, with almost no focus breathing at any focal length. The zoom range is roughly equivalent to the field of view of a 14.5mm–115mm on a Super 35mm sensor, with a constant T2.4 aperture throughout and no ramping. Compact, lightweight, and beloved by documentary filmmakers, this lens is equally suited to narrative and run-and-gun work where changing glass simply isn’t an option.

The Cooke Varotal 20-100mm was the first 35mm cine zoom to feature internal focusing, and using Cooke’s proprietary Varomag wide-band anti-reflective coatings it achieved a transmission of 80%. It carries the distinctive Cooke Look with its beautiful organic qualities, emphasizing skin tones and textures while giving a slight softness. A true piece of cinematic history the Varotal delivers a warm, filmic character that translates beautifully onto modern digital cameras.

Thanks to Angenieux’s innovative IRO (Interchangeable Rear Optics) technology, the EZ-1 is compatible with Super 35 and Full Frame/Vista Vision cameras. In its native Super 35 configuration it covers 30-90mm at a fast T2.0; swap the rear optical block and it becomes a 45-135mm T3.0 for full-frame sensors — with no change to the physical length or minimum focus distance. The colorimetry matches that of Angenieux’s Optimo and Optimo Style series, and internal focusing and zooming keep the lens size constant throughout operation. A highly versatile workhorse zoom that punches well above its weight class.

The ARRI Zeiss Standard Speed Mk II PL primes are small, solid, and lightweight — fast enough at T2.1 with an organic sharpness, focus fall-off bokeh that differs from modern lenses, and slightly more contrast. Produced in the early 1980s, these five lenses carry decades of cinematic history and bring an additional filmic aesthetic to modern digital cameras. The wider focal lengths use Zeiss’s Distagon design for well-controlled distortion, while the 50mm and 85mm Planars are known for their high sharpness, flatness of field, and pleasing bokeh — ideal for portraiture and close-up work.

16mm, 24mm, 32mm, 50mm, 85mm

The Zeiss Super Speed Super 16 Prime Lenses are very sharp even wide open, have medium contrast, excellent close-focus, beautiful lens flares, and virtually no focus breathing. At T1.3, this five-lens set is built for low-light work and shallow depth of field in the Super 16 format, delivering an unmistakable cinematic character that filmmakers have relied on for decades. The Mark II features a shorter 180-degree focus rotation, making it ideal for operators pulling their own focus on the barrel or with a manual follow focus. Small and lightweight, this set is equally at home on gimbals and handheld rigs as it is in traditional film setups.

9.5mm, 12mm, 16mm, 25mm, 50mm

Designed as an open standard, camera-independent lens series, the LPL-mount ARRI Signature Primes cover all sensors up to and including full-frame large-format. This six-lens set spans wide-angle to telephoto, with each focal length sharing the same fast T1.8 aperture, organic rendering, creamy bokeh, and subtle flare characteristics the series is known for. While exemplifying state-of-the-art optical precision, the Signature Primes render organic, emotionally engaging images, gently softening and texturizing the large-format look with natural skin tones. Machined magnesium lens barrels make the set lightweight and robust, with smooth focus fall-off that gives subjects heightened presence in the frame.

18mm, 25mm, 35mm, 58mm, 95mm, 125mm

SNAPGRID 40° Grid for LiteMat 4 

40° Snapgrid for Vortex4

Chimera Lightbank for Vortex8

40° Snapgrid for Titan and AX1 Tube Lights

Handheld Bracket

Lantern 30 (11.8″)

CF4 Fresnel

 Light Dome 40 with Grid

Fresnel 2X

Barndoors, Grid, and Gel Holder

F10 Fresnel 

F10 Barndoors

1200x Reflector Kit

XT26 Reflector Kit

Full Grid Cloth, Half Grid (Lite Grid), Magic Cloth, Quarter Grid Cloth, Solid, Ultrabounce, Unbleached Muslin

Bleached Muslin, Double Net, Eggcrate, Full Grid Cloth, Half Grid (Lite Grid), Half Soft Frost, Magic Cloth, Polysilk, Single Net, Solid, Ultrabounce, Unbleached Muslin, White Quarter Stop Silk

Bleached Muslin, Double Net, Eggcrate, Full Grid, Half Grid (Lite Grid), Magic Cloth, Quarter Grid, Silk, Single Net, Solid, Ultrabounce, Unbleached Muslin

Double Net, Silk, Single Net, Solid Floppy, Ultrabounce, Wood Cucoloris